Arzachel Arzachel 1969A classic late sixties heavy, bluesy, psychedelic guitar album. Full of fine guitaring, major organ work with some weirdness and sound effects. Originally released in 1969 on Evolution Records (mint copies now cost well over £200) and in very small quantities periodically since on various strange small labels.
Discogs: 1969 Vinyl, Arzachel. One of the great lost albums of British psychedelia, original copies of Arzachel's 1969 self-titled debut fetch huge sums on the collectors' market and it is not difficult to understand why. Originally released in 1969 on the small Evolution label, this album quite simply contains some of the best psych to ever come out of the UK. The Arzachel album is rightly lauded as a lost gem of British rock and it is an important and essential album not least because it bridges the gap between the psychedelic lunacy of Pink Floyd and the beginning of the Progressive music of the Canterbury scene. Office tab enterprise 11. It is a highly entertaining and highly recommended piece of work all made in one day. The Arzachel album is rightly lauded as a lost gem of British rock and it is an important and essential album not least because it bridges the gap between the psychedelic lunacy of Pink Floyd and the beginning of the Progressive music of the Canterbury scene. It is a highly entertaining and highly recommended piece of work all made in one day.
You can certainly hear echoes of Steve's later work in Khan and even his first solo album 'Fish Rising'. Probably another fleeting chance to hear a vital piece of Steve's musical development.
The production has oft been remarked upon, for this psychedelic fuzz-fest, but to my ears, this simply makes it all the more compelling, and lends the music the correct 'free-festival' atmosphere.
In actual fact, the main problem with the production seems to be the almost complete absence of compression, and omnipresent and over-worked reverb, leading to what might be considered excessive distortion. However, I have to say that I find it a veritable feast of fuzz and feedback, with a great range of dynamics and a very full sound for each instrument - a beautiful and powerful sound.
The self-titled album from the psychedelic pseudonyms is a surreal trip through a variety of musical styles that go beyond psychedelia and into the realms of Progressive Rock proper. The band get into some seriously good grooves, and seldom if ever make the kinds of mistakes and fluffs that plague many Krautrock albums of this time, and Hawkwind albums for decades to come.
I've seen many comparisons made to Pink Floyd, and I'd like to scotch most of those rumours here and now. The huge organ sound that Dave Stewart produces is far more akin to Deep Purple - or more accurately, The Nice, inspired, as it was, by Keith Emerson, and Hillage's guitar work, although not the polished leading light of space rock that he would become in Gong and his solo work, is utterly remarkable. Especially when you consider that he was 17 at the time. Come to that, not one of the musicians were in their twenties when they made this recording, so the professionalism of musicianship is extraordinary.
The closest this album comes to Pink Floyd is in the cosmic 'wooey noises' that begin the 14-minute jam 'Metempsychosis', a track that threatens to drop into 'Interstellar Overdrive' at any moment - but instead remains an energetic variation on a theme, albeit with slightly uninspired moments that drift off into stoned noodle. These, fortunately, are way more than balanced with moments of pure drama and psychedelic power with some particularly stunning vocal and keyboard work. Think Hawkwind at their very best and you're close.
As has been remarked upon, this album was recorded in a single day - Hillage himself is alleged to have said it was just done 'for a laugh' - and the fun certainly comes across. The plethora of pseudonyms that plague the personnel were largely for contractural reasons, which the artists got around by using the invented names - even the band name was a pseudonym.
I guess that those fond of categorising are going to say that this is more of a psychedelic jam or Space Rock album than a 'proper' Prog Rock album, and they'd probably be right.
However, it's so much more together than the average psych album, and so much more than pure Space Rock, that I'm just going to have to say that you really ought to have this in your Prog collection as an indeal representative of where Prog was at in 1969 (ITCOTCK excepted, of course!).(Review by Certif1ed (Mark)
It's a bit of a masterpiece really.
Arzachel - Arzachel (1969)
- Basil Dowling (Clive Brooks) / drums
- Njerogi Gategaka (Mont Campbell) / bass, vocals
- Sam Lee-Uff (Dave Stewart) / organ
- Simeon Sasparella (Steve Hillage) / guitar, vocals
01. Garden of Earthly Delights 2.45 (Arzachel)
Arzachel - Arzachel (1969) Rar02. Azathoth 4.21 (Arzachel)
03. Queen St. Gang 4.25 (K. Mansfield)
04. Leg 5.40 (Arzachel)
05. Clean Innocent Fun 10.23 (Arzachel)
06. Metempsychosis 16.38 (Arzachel)
From Chris Goes Rocks